Rip: A Remix Manifesto - PopMatters.
Bella Watson Krause ENGL 121 10 October 2012 Rip Portfolio Essay While watching RiP!: A Remix Manifesto, I thought that I would never be able to decide on just one topic. There are so many potential topics brought up in the film that it was difficult to pick just one. After much consider.
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RiP!: A Remix Manifesto 2.0. On 27 February 2009 Brett Gaylor started a new project on his site, Open Source Cinema, dubbed RiP!: A Remix Manifesto 2.0. With this project, he invited users to take the original documentary, remix it, and upload their contributions to be included in a new, improved version of the film. The 2.0 was screened at the.
Portfolio site for documentary filmmaker Brett Gaylor, director of Rip! A Remix Manifesto and Do Not Track.
RIP: A Remix Manifesto is a compelling look at the complex world of copyright law, illegal downloading and the wider ramifications of a culture obsessed with the ownership of culture. Beginning with the cutting-edge sounds of Girl Talk, a mash-up artist who samples other musicians to create his own distinctive sound, to a cartoonist who has.
Hey. I didnt make this video. i just figured someone should put this up on youtube. Enjoy ;) ps. The filmmaker asked me to post a link to his site you guys can buy the dvd if you want, or.
Newest Mashup Venue: Vine Vine - Debuted January 24, 2014 Owned by Twitter 15 songs, 4 television show clips, 1 Brand Tag, 1 music video Fall under the category of fair dealing, but for how long? RiP! A Remix Manifesto Brett Gaylor - The Creator Girl Talk - Gregg Gillis Mission.
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In the documentary, Rip! A Remix Manifesto the director, Brett Gaylor makes a strong case as to whether copyright laws are holding back culture (Rip!). Throughout the documentary he presents a list of three rules on how copyright laws prevent people from being creative (Rip!) The first rule he cited was “culture builds on the past (Rip.
Rip! A Remix Manifesto is a feature documentary I wrote and directed over the course of six years in co-production with the National Film Board of Canada and Eyesteelfilm. During the time I made the film, the music industry was undergoing massive disruption - both in terms of how music was distributed, but how music was being made. While file.
A fierce debate around intellectual property rights is playing out in the courtrooms of the world, affecting everything from medical patents to computer software licences. But it seems it's the.
After watching Rip! A Remix Manifesto and coming up with a possible topic to research, it was time to brainstorm about my topic. The technique that worked the best for me was the free write. Free writing is where you spend a certain amount of time, like 5 minutes or so, just writing nonstop about your topic. You write whatever comes to your.
In truth, as the video above from RiP!:A Remix Manifesto shows, artists and innovators have been remixing older ideas since the beginning of human history. From stories and artwork to political movements and theoretical ideals, nearly everything in our global culture is a rehashing, rebranding, repurposing, or recycling of what came before.
RiP: A Remix Manifesto 2009 Brett Gaylor M Recommended for mature audiences 15 years and over Start Watching. Which side of the ideas war are you on? Join web activist and filmmaker Brett Gaylor as he draws the battle lines against big business in this edgy documentary that questions the very nature of capitalism today. Exploring issues of copyright freedom in the information age and mashing.
Nicely edited and directed, Brett Gaylor's RIP!: A Remix Manifesto is a supremely fascinating documentary whose ideas are expressed honestly and will surely connect with many younger people in this age of copyright regulations, even if it's already somewhat dated in aspects.
A screening of the fantastic RIP: A Remix Manifesto and followed up by a panel discussion with some leading technology and culture writers, presented by CoDE (as part of the Festival of Ideas): Arts Picturehouse, Cambridge October 30, Saturday, 15.00-17.30 Tickets from the Picturehouse ticket counter.